Do you have a new digital camera? Have you been using your digital camera for a while but feeling like you could get more out of it? Darren Rowse's compilation of 21 Settings, Techniques and Rules All New Camera Owners Should Know is a great place to start. Even if you are an experienced photographer, there are tips here worth reviewing. Included are Aperture and Shutter Priority Mode, Introduction to White Balance, Automatic Exposure Bracketing, How to Take Sharp Digital Images, How to Get Shallow Depth of Field in Your Digital Photos, Understanding Exposure, The Rule of Thirds, and many others. If you think "histograms are scary," this article is for you -- it will demystify your camera and help you create much better images.
Image: Kris Krüg, kim cathers, 2007. Available from Flickr under a Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Generic License.
Visual Resources Center, Department of Art and Art History
University of Colorado Boulder
Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts
Thursday, January 13, 2011
Saturday, December 11, 2010
Archive Raiders: Photographing Library and Archive Materials
Not long ago I was asked by someone if the VRC has a scanner that could be borrowed for a research trip, in order to scan materials in an archive. I do not have much experience photographing works housed in special collections or archives, but I do know that hauling a scanner around is likely not the best solution. Anyone who has tried to photograph archival materials knows that consistently sharp focus with a hand held camera is next to impossible. So what's a scholar to do when he or she needs to document materials but the facilities might charge too much for their photography services and provide no self-serve copy stands?
Konrad M. Lawson has authored a guest post over at ProfHacker in which he outlines his solution to this problem. With just a few relatively inexpensive components he bought on Amazon, he has come up with a clever set-up that is very portable and effective. It is important to note, as some of the comments on his post have, that archives and libraries often have explicit rules about what kinds of equipment may or may not be used. These policies are normally in place to protect the materials, and it's vital to respect their well-being for future users. Lawson describes the practice employed by some of using plexiglass to hold the pages of books flat. He does not mention it, but this is damaging to rare materials and should be avoided. Lawson has found a better solution. He operates a wired camera remote with his foot, leaving his hands free to hold the pages flat.
Image: Jeff Tabaco, Notes, 2006. Available from Flickr under a Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Generic license.
Konrad M. Lawson has authored a guest post over at ProfHacker in which he outlines his solution to this problem. With just a few relatively inexpensive components he bought on Amazon, he has come up with a clever set-up that is very portable and effective. It is important to note, as some of the comments on his post have, that archives and libraries often have explicit rules about what kinds of equipment may or may not be used. These policies are normally in place to protect the materials, and it's vital to respect their well-being for future users. Lawson describes the practice employed by some of using plexiglass to hold the pages of books flat. He does not mention it, but this is damaging to rare materials and should be avoided. Lawson has found a better solution. He operates a wired camera remote with his foot, leaving his hands free to hold the pages flat.
Image: Jeff Tabaco, Notes, 2006. Available from Flickr under a Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Generic license.
Tuesday, October 12, 2010
Photography in Public: Know Your Rights, These Are Your Rights
Especially after the events of 9/11, the Internet abounds with stories about people taking photographs on public property being harassed. Overzealous security guards and policemen have been known to invoke the law inaccurately, sometimes aggressively, in the attempt to dissuade photographers who are legally within their rights. There are even Flickr groups devoted to this topic, such as the National Photographers' Rights Organization group and the Photography is not a crime group.
Some helpful introductory resources exist for those who are uncertain about where "public" ends and "private" begins. Bert Krages is an attorney who is a nationally recognized advocate for the right to take photographs in public places. He has published on his Web site "The Photographer’s Right: A Downloadable Flyer Explaining Your Rights When Stopped or Confronted for Photography." This one-page guide introduces a basic principle: "The general rule in the United States is that anyone may take photographs of whatever they want when they are in a public place or places where they have permission to take photographs. Absent a specific legal prohibition such as a statute or ordinance, you are legally entitled to take photographs." Krages goes on to cite important exceptions to the general rule; permissible subjects; the rights of others to question you, detain you, or confiscate your property; some legal and other remedies in case you are harassed; and how to handle confrontations. He suggests that photographers may wish to print out and keep a copy in their camera bag. For those wishing to delve deeper into the subject, Krages has written a book: Legal Handbook for Photographers: The Rights and Liabilities of Making Images.
Image: Thomas Hawk, Long Beach Harbor Patrol Say No Photography From a Public Sidewalk, 2008. Available from Flickr via a Creative Commons Attribution-NonCommercial 2.0 Generic License.
Some helpful introductory resources exist for those who are uncertain about where "public" ends and "private" begins. Bert Krages is an attorney who is a nationally recognized advocate for the right to take photographs in public places. He has published on his Web site "The Photographer’s Right: A Downloadable Flyer Explaining Your Rights When Stopped or Confronted for Photography." This one-page guide introduces a basic principle: "The general rule in the United States is that anyone may take photographs of whatever they want when they are in a public place or places where they have permission to take photographs. Absent a specific legal prohibition such as a statute or ordinance, you are legally entitled to take photographs." Krages goes on to cite important exceptions to the general rule; permissible subjects; the rights of others to question you, detain you, or confiscate your property; some legal and other remedies in case you are harassed; and how to handle confrontations. He suggests that photographers may wish to print out and keep a copy in their camera bag. For those wishing to delve deeper into the subject, Krages has written a book: Legal Handbook for Photographers: The Rights and Liabilities of Making Images.
Image: Thomas Hawk, Long Beach Harbor Patrol Say No Photography From a Public Sidewalk, 2008. Available from Flickr via a Creative Commons Attribution-NonCommercial 2.0 Generic License.
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