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billion pixels).
Nothing compares to standing in a gallery in the Uffizi with one of these masterpieces, but at the same time the features we can see here are not possible to witness in person. These are the macro views that only a conservator might see in such dazzling detail, like brushstrokes, craquelures, the dirty fingernails of Bacchus, or the light reflecting off of a single pearl. The small price we pay is a little patience while waiting for the pictures to load, and tolerating the
presence of the Haltadefinizione watermarks. For more information about HAL9000 and the process used to photograph these works, see this post over at Wired.
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